inspiration for bath house

Peter Zumthor Kenjo Kuma

2 interesting/amazing buildings

opera house, oslo

melbourne - lyons architects

SESSION 1

and finally...final UTed Map for Exp.3 The Bridge



just a warning about Jobs' elevator, it'll probably need you to jump and press the forward arrow at the same time when getting into it, a problem i couldn't fix, sorry.

draft UTed Map for Exp. 3 The BRIDGE




google warehouse model of elevators and dining table...

http://sketchup.google.com/3dwarehouse/details?mid=5fd5affe4bfbd01b4596cd2130f48f74

FINAL DRAFT

an extension of draft 2, with applied custom textures and additional movers

note: the curved white office spaces in both Job's and Versaces spaces are inspired from the 'curved tails' of ts in 5,6 of two point perspectives

Versace's Office

The Versace office space is intensely decorated and has an artificial feel, like Versace ''wears power" the space wears a sense of powerfullness established through high ceilings and dominant patterning on walls.
inspired from words and spaces:gendered, monoply, interplay

Job's Office

In addition to previous relationships established with power, the smaller box within the 'mac box machine' provides a space for Jobs to watch over progress and speculate. The space itself is suspended to suggest high power.
inspred from words and spaces: dictatorship,ammunition, solitary, institution, monopoly

Client meeting space

The dining space itself is perced as an extension of the meeting space, the openess alludes to public power, people feuling power.
inspired from words and spaces: solitary , convergence

2nd DRAFT: FURTHER DEVELOPMENT

Meeting space
Level 1

The most significant and dramatic statement of the Level one of the meeting space are the hundreds of colourful cubes which takeover the area and serve to state the idea of 'mac world domination'. The cubes originating from Job's office space spread from his end of the meeting space to Versaces end suggesting evolving power, Furthemore the colourful nature of the cubes serves as a powerful statement of Job's power and dominance in popular culture. The grey cubes can be interpreted to represent PCs, and thus their marginalisation, reflects the mac takeover.

Level 2

Level 2 of the meeting space is the dining area, a small shelf at the top of a ramp extending of level 1. The openess and bareness, and lack of privacy that results suggests the public nature of their lives and power. Both of these personalities depend on their clients to fuel their rise and station in power, and therefore they are left to be speculated.

Versace's office interior

Level 1

level one of Versace's office interior consists of a model runway suspended on water aswell as a backstage area. The low ceiling and shallow water serves as metaphorical of the shallowness of relationships formed in this business. Extravagent lighting and columns further suggest Donatalla's ego and powerful personality.

Level 2

Level two has an alternate relationship with power, with elements alluding to Donatella's rise and success through the work of her brother, as it is this powerful pedestal on which she stands. this can be seen in versaces office in the image below which is seated on the classical 'icon' G for Gianni Versace.

Jobs' office interior

The pattern on the wall serves to indicate the complex network which he operates and also the complexity of his character. Furthemore the beam through the space alludes to the dominance of PC over mac, it is placed here as an obstacle, an obstruction to power. The floor is filled with cubes with essentially the same meaning as those in the meeting space. Also there is a sense of being overcrowded in Jobs' office, which emphasises this idea of expansion and evolution of power 'mac world domination'.